Our continuing series looking at all forty albums nominated for the Canadian Polaris Music Prize long list (CLICK HERE to see the full list once it’s complete….)
I gotta respect the sheer ambition and audacity of Montreal’s The Dears. They were definitely swinging for the rafter with this record which literally dripped epic-ness and the sweat of their effort to make a record that felt ‘important.’ The Brtipop/rock influence on their sound seems obvious too: musically, the album put me in the mind of Bends-era Radiohead (as did a couple other bands on the Polaris long list but we’ll get to that in time….) or The Manic Street Preachers and the lead singer at times sounded like Paul Weller but f-ck me if I didn’t get the shock of my life when I came to find out after the fact that he’s actually black! Well weller always did have a very soulful (or at least blue-eyed soulful) voice. You know, interpolating ‘Lady Marmalade’ on ‘Tiny Man’ should’ve been my first clue though. Seriously, which white dude would really do that in general but especially on the kind of records The Dears make??!
Anyway, these aren’t the tracks I would’ve highlighted from the album (probably would’ve gone for ‘Lamentation’ or ‘Galactic Tides’ instead), but these were the ones I could swipe from soundowl and with thirty-two other albums to do posts on still before July 6 (the date the short list is officially announced), I don’t really have a lot of time time to be f-cking around uploading tracks so enjoy…
‘Omega Dog’ (Live in Mexico City):
‘Blood’ (Live in Mexico City):
And some mp3’s…
Download The Dears Omega Dog [MP3]
Download The Dears Blood [MP3]
I’ve supported the kid before. Derrick aka D-Sisive seems to be a love it or hate it proposition for many with his laconic almost spoken word rhyme style and song subject matter heavy on the pop culture references, but he puts a lot of himself in these records too and I gotta respect that. As a matter of fact, I guested on my dude Paul’s ‘What I Call Music’ podcast, the first part of which should be dropping my end of the week (aka Canada Day for my US bred’ren) and I actually ended the show with the track, “If….” so read into that what you want!
This album had a twangy, power-pop feel to it which is not a sound I generally tend to dig so I didn’t give this one much time, frankly. UK singer Kirsty MacColl‘s name came to mind as I played this for some reason. Here’s a couple joints to hold you down which may or may not explain that last sentence:
Buck 65 is the kind of rapper and hip-hop the Polaris jury tends to favor (cf. K’naan, K-os etc.): more respectful of the old school and/or the four elements of hip-hop culture than most other contemporary, more commercial MC’s but at the same time incorporating more of rockist feel to their sound be it using instruments more than samples during recording or a band set-up for live performances. In Buck’s case that means exploring more a rootsy, blues-man feel in the music he’s released in the latter parts of his career. Although I won’t lie and claim to be an expert on his music or much of a fan based on the stuff I’ve ever checked out in the past but 20 Odd Years had it’s moments including actually a sense of humor on ‘Zombie Delight” and a dubstep and strings melange on the ‘Who By Fire’ track that features fellow Polaris nominee, Jenn Grant who also provides an assist of the moving, ‘Paper Airplanes.’
Buck 65 Superstars Don’t Love [MP3]
Buck 65 Zombie Delight [MP3]
Truth be told, as far as this ethereal, electronic-indie pop from Canada goes, I might have preferred Grimes‘ Halfaxa album but that inexplicably did not make the long list whilst this did but at the end of the day this ain’t too bad either. Reminded me of Cocteau Twins and back in the day Blue Bell Knoll was my sh-t so anyone evoking that spirit, even a little bit, is alright in my books.
‘Plath Heart’ (video):
Download Braids Plath Heart [MP3]
Download Braids Lemonade [MP3]